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I'm the odd man out who believes Saw Delight is the most unfairly underrated album in their canon. I love the African derived rhythms that run throughout it, and it's arc from beginning to end flows as strongly as any of their more lauded releases. I call it my favorite Can record, say what you will. That said, the final comp in question here is largely unmemorable to these ears. Irmin Schmidt has assured us it contains the last of any extant studio recordings they'll release and I believe him, as the marginality of much of what's on offer here eyes the bottom of the proverbial barrel indeed. Thanks for the post and all the 'and Eno' stuff too.

Anonymous said. I think Ege Bamyesi is the only album with continuous high standard tunes. Future Days for example consists of some incredibly great tunes but the b side is far too lengthy, same problems with the live recordings. So the most remarkable discoveries are the soundtrack recordings on Lost Tapes, which are variations of tunes otherwise released on the albums. There was no prominent singer or solo guitar wanking with a replacable backing band but a collective interaction (That´s what I like about early techno, the absense of rockstardom. Just some music on a whitelabel which you either like or not) I think that made their sound so outstanding.

I still quite like Babaluma if there wasn´t this horrible last track on the a-side (see above). The strong german accent of Michael Karolis vocals must have been quite disturbing for native english speakers, but again I like this denial of rock stereotypes. By the way, you once asked for favored rhythm sections. That definitely has to be the unique Jaki Liebezeit with Jah Wobble as featured on the early Holger Czukay Albums. Sorry for poor Dexter, Mr Z Herr A.